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Art and Alliteration in the Land of Tomorrow
Friday, May 14, 2010
Brush Pen!
There have been questions in a couple different places as to what brush pen I'm referring to when I start singing its praises (because....I always manage to forget to link to it. This is your brain on derp.) You guys! It is totally this one and you should buy it:
Wednesday, May 12, 2010
Space: the reaction post
It's been a while since I promised a reaction post, and while the delay is true to for m for me, I'm afraid that this will be something of a let down. Especially considering that I had planned drawings and graphs and things specifically for this, and then my scanner died.
Well, that's what editing is for, isn't it?
My general reaction, boiled down to basics, was this: good convention good! Although there was the usual comedy of errors that seems to crop up whenever I get involved with anything, I managed to float around in happy land for most of the weekend.
This doesn't mean that I didn't notice some of the, shall we say, inherent problems that managed to crop up. I've built up a bit of a buffer for these things because I'm a frequent reader of communities like wtf_sexism and fanficrants (warning: may break brain. Basic knowledge of fandom recommended before entering), but the way that many writers rely on easy tropes and obvious sexism is something that does need to be addressed. My friend Leslie does a wonderful job of this in her reaction post here.
As an addendum to the above, I would like to say that if you ever find that I am falling into the same traps with my work, let me know so I can correct my course. I do try, but cliches and comic books go together like strong earth magnets and computers: they're so hard to separate, but they're so bad for each other.
But, as I was saying, the convention on the whole was an awesome experience for me. I met a lot of really excellent people and spent way more money than I made (and I am happy to report that I did make back the table cost and a little more besides), which is what I was looking for going in.
Besides the usual familiar faces (most notably Ryan Claytor, my teacher and creator of And Then One Day; Jay Jacot of Comics Obscura; and Matt Feazell, creator of The Amazing Cynicalman), I want to mention Max Ink of Blink and the lovely team over at Ringtail Cafe. I had many great conversations with both Jackie of Ringtail and Max over the course of the weekend, and thinking back on it now I'm still grinning. I'd like to give a special bit of thanks to Max, who put me on to this great new brush pen that I'm a little bit addicted to. As terrifying as it is, inking is one of my absolute favorite parts of the process, and finding a tool that does what I want and doesn't hurt my hand the way using a brush and ink does is exactly what I've been looking for.
...that for which I've been looking? Gyah, I don't even know anymore.
In conclusion: A++, would exhibit again.
Well, that's what editing is for, isn't it?
My general reaction, boiled down to basics, was this: good convention good! Although there was the usual comedy of errors that seems to crop up whenever I get involved with anything, I managed to float around in happy land for most of the weekend.
This doesn't mean that I didn't notice some of the, shall we say, inherent problems that managed to crop up. I've built up a bit of a buffer for these things because I'm a frequent reader of communities like wtf_sexism and fanficrants (warning: may break brain. Basic knowledge of fandom recommended before entering), but the way that many writers rely on easy tropes and obvious sexism is something that does need to be addressed. My friend Leslie does a wonderful job of this in her reaction post here.
As an addendum to the above, I would like to say that if you ever find that I am falling into the same traps with my work, let me know so I can correct my course. I do try, but cliches and comic books go together like strong earth magnets and computers: they're so hard to separate, but they're so bad for each other.
But, as I was saying, the convention on the whole was an awesome experience for me. I met a lot of really excellent people and spent way more money than I made (and I am happy to report that I did make back the table cost and a little more besides), which is what I was looking for going in.
Besides the usual familiar faces (most notably Ryan Claytor, my teacher and creator of And Then One Day; Jay Jacot of Comics Obscura; and Matt Feazell, creator of The Amazing Cynicalman), I want to mention Max Ink of Blink and the lovely team over at Ringtail Cafe. I had many great conversations with both Jackie of Ringtail and Max over the course of the weekend, and thinking back on it now I'm still grinning. I'd like to give a special bit of thanks to Max, who put me on to this great new brush pen that I'm a little bit addicted to. As terrifying as it is, inking is one of my absolute favorite parts of the process, and finding a tool that does what I want and doesn't hurt my hand the way using a brush and ink does is exactly what I've been looking for.
...that for which I've been looking? Gyah, I don't even know anymore.
In conclusion: A++, would exhibit again.
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